• Tar_Alcaran@sh.itjust.works
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    1 day ago

    Could it have been done better - sure, but the thing is you, the player, still went through with it and pressed the button instead of putting the game down and refusing - it is trying to sell the point of view of the player’s character you are playing decided that it was the “only way” and by continuing to play the game you have accepted the condition forced upon you and continued to be complicit in the events that unfold because you wanted to see the story through.

    My problem is that the game does tries to do it both ways. It tries to give you in-game options to “be less bad”, in the crowd scene and the hanging scene, doing a very game-y thing by going straight. But then it ALSO does the WP scene where it’s going for “The only winning move is not to play” thing by breaking outside the game.

    And that ruins both angles for me, it feels really lazy, like they just kinda shoehorned the angle in and felt super smart afterwards, when to me it just feels like they’re covering up for bad writing. They didn’t commit.

    “No Russian is shock value, but there really isn’t much player consequence as it doesn’t matter what you do so long as you keep up, you could even skip it”

    If you wanted to avoid the nastiness of what you were doing you could in No russian, specs ops decided to comfront the player with deciding for the player to either accept the nastiness or don’t and if you want to see the story to completion you better get your hands proper dirty and not half ass it.

    You couldn’t skip No Russian way back when it first released, that was patched in later because of the massive public outcry over that map. That’s not really my point, my point is that as a writer, it’s fine to engage inside the game with the characters OR place it on the reader/player, but doing both makes both miss the mark.