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Yuritopiaposadism [none/use name]@hexbear.net to politics@hexbear.netEnglish · 8 days ago

New Reality TV Show That Sees immigrants Compete for US Citizenship Has Backing of Trump Administration: Report

www.yahoo.com

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New Reality TV Show That Sees immigrants Compete for US Citizenship Has Backing of Trump Administration: Report

www.yahoo.com

Yuritopiaposadism [none/use name]@hexbear.net to politics@hexbear.netEnglish · 8 days ago
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Homeland Security Secretary Kristi Noem is reportedly working with writer and producer Rob Worsoff (of Duck Dynasty fame) on a new reality series called The American.
  • iie [they/them, he/him]@hexbear.net
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    8 days ago

    This is just proof to me that the big talent show creators know what they’re doing. The goal has always been to demoralize workers, blame them for their poverty, and reward subservience. I really think rich people have class consciousness. Looking at the world from that height, like a dragon with a hoard, just makes it all click into place for them. Kinda like how domestic abusers don’t need to be trained by experts to psychologically manipulate people, it just comes naturally to them.

    • SocialistDad [he/him, they/them]@hexbear.net
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      8 days ago

      Kinda like how domestic abusers don’t need to be trained by experts to psychologically manipulate people, it just comes naturally to them.

      I’d never thought of a tendency towards domestic abuse as a form of interest convergence but it kind of is isn’t it? Temperament precedes the abuse, not the other way around. In the case of the wealthy, it’s their material position that precedes the abuse.

    • BeamBrain [he/him]@hexbear.net
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      8 days ago

      In their discussion of what the media theorist Nick Couldry calls its ‘theatre of cruelty’, Henry Giroux and Philip Mirowski, among many others, have have written extensively on neoliberalism’s sadistic culture, the increasingly open vilification of ‘losers’ and the crowing of and over ‘winners’. Swathes of mass entertainment celebrate physical agony (‘torture porn’), metaphorical ‘eviction’ (reality TV) and the punitive gaze at the desperate – leavened with the schmaltz that is its obverse. As Mirowski points out, in Never Let a Serious Crisis Go to Waste, it is not, of course, that ‘spectacles of cruelty’ are new, but that the theatre is ‘unabashed’, ‘has been made to seem so unexceptional’; and that in the context of neoliberalism it is doing something distinct. It serves, he says, ‘more targeted purposes [than distraction], such as teaching techniques optimised to reinforce the neoliberal self’.

      (CW for SA, colonial atrocity, and war crime descriptions in the linked article)

      • cfgaussian@lemmygrad.ml
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        3 days ago

        A very good essay in terms of the ideas it conveys but unfortunately poorly written, very inaccessible on account of its overly pretentious language. Even most academically educated leftists are going to struggle to read a piece like this. This is the exactly the kind of language that we should not be using if we want to write for a broad audience. It comes across as the author trying to show off how many complex words they know and how many references to history and philosophy they can pack in without explaining any of them. It comes off elitist and off-putting. 9/10 for content, 1/10 for style.

      • iie [they/them, he/him]@hexbear.net
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        7 days ago

        Great essay, the psychological side of neoliberalism needs a bigger spotlight.

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